Music Call Me Maybe Chipettes Remix

• One of the groups they parodied was early 90's R&B group Color Me Badd, who released a song titled "I Wanna Sex You Up".
• Also, there's their song "Wait (You Guys)," a parody of "The Whisper Song" (by The Ying Yang Twins), about, well, showing women their penises.
  • Also their song "Jizz in My Pants" is about a guy who...you know. The problem is so bad that he jizzes in his pants after eating a grape.
• Being lower than the top rung on the satire scale, DIAB was itself spoofed, in "Box in a Box" (featured on Countdown), which left Mr Timberlake lost for an opinion. With bonus subtext about body modification: How can she put her Box in another Box?
• Also spoofed in "I Just Had Sex", their lead song off their second album, featuring Akon, which is pretty much open and frank about the fact Andy and Jorma just had . It was the best 30 seconds of their life!

• Ah yes, the Sexy Data Tango. "...and cause a quantum singularity in your transwarp conduit"

So if you're a filthy Horta/Data's your bestest bet/'Cause he's fully functional/And anatomically correct!

• His "Gecko (Overdrive)" featuring vocals from Becky Hill is completely unsubtle about , with lines like "get the lights down low", "tonight the rules do not apply", and "gates our crashing, lips of passion, you got my heart on overdrive". Hill herself sounds excited for it, and the weird-ass music video emphasizes it even further. Most impressively, it was featured on the E10+ rated video game Forza Horizon 2 completely uncensored.
• Another song by Heldens, "Last All Night (Koala)", managed to be even more unsubtle about it.

On the floor - from behind

On the balcony - full frontal

In the grass - into your face

Like summer rain

Put, put, put, put your finger in my body

And then lick, lick, lick, everywhere you wanna lick, go!

Cum, cum, cum, now you're coming pretty soon now baby

Feel the heat that I'm spitting over you

Don't you want me to put my arms around you, don't you want me to hold you? (hold you)

Be your living fantasy?

Doesn't all this movin' make you wanna get close, make you wanna get inside me? (inside me)

Does it purify?

You take your time with whatcha doin', you really wanna get tight, and I wanna see you (see you)

See your body next to me

Isn't all this heat getting too hot to ignore, don't you wanna please me? (please me)

I'll treat you nice inside

Take it off, baby, bend over, let me see it
You looking for a real pussy eater, I can be it

• Actually, he says "Make UP right now" not "make love". However, his rather conscious effort to emphasize that they have to make up "right now" and wanting to "tease, squeeze and please her" leaves little to no free interpretation as to what he could mean anyway.
• Specially "I Wanna Fuck You" (the airplay version is "I Wanna Love You").

• It's pretty evident what "What's Your Fantasy" is about. And in case that wasn't explicit enough, there's always the remix where Trina raps, "You can La-la-la-lick me from my ass to my clit..."
• On top of that, there's "Nasty Girl" which describes the eponymous (average-seeming) woman's ual prowess.
• And finally, a song about Beer Goggles, "One More Drink".

• All of those pale in comparison to "Whistle", which doesn't even hide what it's about. "Can you blow my whistle, baby, whistle baby?"

Number one, I take two number threes
That's a whole lot of you and a side of me
Now is it full of myself to want you full of me
And if it's room for dessert then I want a piece

• Which is, surprisingly enough for those who haven't actually listened to the song, actually a subversion. Salt-N-Pepa wrote the song as an invitation to a mature, frank, and open discussion about ual relationships. There are even a few lines within the song admitting that people will probably see the title and misunderstand what they were trying to get at.
• They later broke out the anvils when they did a reworked version called "Let's Talk About AIDS".
• They, however, played this trope completely straight with "Push It" and "Shoop".

• "Romance" from I Am Not a Human Being II, which was not included in the iTunes release.

Cuz dang a lang so pretty, bout 12 inches
So I let him meet kitty, now they best friends

• Here is the chorus for "Becky":

  I'm on this liquor oh so heavy
  'Fo we fork, can you neck me?
  A lil' head and I am ready
  I want yo mouth, give me that Becky

• "A word to the thick soul sistas/I wanna get with ya/I won't cuss or hit ya/But I gotta be straight when I say I wanna /FUCK/ 'Til the Break of Dawn/ Baby got it goin' on/A lotta simps won't like this song..."
• "I'm long, and I'm strong, and I'm about to get the friction on".
• Also "Ride", one of his later unsung singles.

• For those who genuinely don't know what it means... "Superman that hoe" refers to ejaculating on a woman's back so that the blanket is stuck in a manner resembling Superman's cape. The dance mimics the woman trying to get it off.
• Actually, Soulja Boy himself has stated that the whole song was written with no meaning in mind, and he was rather disturbed by listeners interpreting it ually.

Girl your booty is so round/I just wanna lay you down/Let me take you from behind/I won't cum until it's time/But if I cannot sleep with you/Maybe I could have a taste/Put your niney on my tongue/And your booty on my face

Ow, I came to make you shake it/Till you break it/Caress your body/until you're naked/Bend you over/Grab your shoulder/Slip my peter inside your folder/Make you sweat-a/Get you wet-a/Pump it faster to make it better/Dim the the lights then lock the room/Cos now it's time for me to hit that boom

• Just about all of 2 Live Crew's songs fit into this trope in some way.

• "Spread" from Outkast is a lot less subtle, complete with a 30-second segment in the song that sounds like a couple racing home to get in bed.

"I'll call before I come/I won't just won't pop up over, out the blue/No after you."

Step 1, get kissin on me

Step 2, girl you killin me softly

Step 3, Now you see why you chose me

Step 4, and ooo you grindin with me

• "Fuck You Tonight":

Some say the x, make the Spec-tacular,

make me lick you from yo neck To yo back, then ya,

Shiverin, tongue deliverin

Chills up that spine, that ass is mine

• The original "One More Chance":

When it comes to , I’m similar to the Thrilla in Manila

Honeys call me "Bigga the Condom Filler"

Whether it’s stiff tongue or stiff dick

Biggie squeeze it to make poop fit, now check this poop

[…]

I fork non-stop, lick my lips a lot

Used to lick the clits a lot, but licking clits had to stop

‘Cause y’all don’t know how to act when the tongue go down below […]

and so on.

• "Va Va Voom":

Just met a boy, just met a boy when / He could come inside my pay pen / 'Cause he looked like a super star in the makin' / So I think I'm going in for the takin' / Hear through the grape vine that he cakin' / We can shoot a movie he can do the tapin' / Boom boom boom boom pow things be shakin' / I don't even try to find out who he datin'

• "Super Bass":

He could ball with the crew he could solo / But I think I like him better when he dolo / And I think I like him better with the fitted cap on / He ain't even gotta try to put the mack on / He just gotta give me that look / When he give me that look / Then the panties comin' off, off, uh

• "Anaconda" begins with "My anaconda don't want none unless you've got buns hun'" (sampled from the aforementioned "Baby Got Back") which is promising enough, but here's the chorus:

'By the way / What he say? / He can tell I ain't missin' no meals / Come through and fork him in my automobile / Let him eat it with his grills / And he telling me to chill / And he telling me it's real / That he love my appeal / He say he don't like 'em boney / He want something he can grab / So I pulled up in the Jag / Mayweather with the jab like dun-d-d-dun-dun-d-d-dun-dun

• There's his Tagalog version of Tone Loc's "Funky Cold Medina" called "Andrew Ford Medina" (his real name is Andrew Ford Espiritu), where he rather explicitly sings about his ual escapades with a rich high school girl named Anna. The song got massive radio airplay in 1991, and is still one of his biggest hits.
• "Sinabmarin", which isn't entirely sung to the tune of The Beatles' "Yellow Submarine", but nonetheless turns the kid-friendly sing-along chorus into this:

Si Olive ay aking sinabmarin / Siya'y bitin pa din, siya'y bitin pa din (Filipino)

I went down like a submarine on Olive / She wants more, she wants more (English)

• "Bini B. Rocha", which is ostensibly about a girl named Bini B. Rocha. "Brocha" is Filipino slang for oral on a woman, while "binobrocha" is its present tense.
• "Banyo Queen" (literally translated to "Bathroom Queen") is another one of his big hits — a song about getting drugged by a random girl he meets at a bar, only to wake up in a motel and doing the deed with her there...behind his girlfriend's back.

• "1+1" where she outright pleads "Make love to me."
• "Naughty Girl" is quite dirty.

• I'll see those two, and raise you "Would You Mind?" from All for You. The lyrics are filthy enough, and subtle as a flying brick, but it really gets out of hand during the last minute of the song. (She stops singing and just fakes an orgasm.) ...At least, we hope she was faking. And let's not even get started on her live performances of this song.
  • To drive the point home, the dirty version of that album isn't on the iTunes Store.
• Hell, even on Rhythm Nation 1814, an album full of social commentary, has "Love Will Never Do Without You" (albeit downplayed and "Someday is Tonight".
• Ditto "Luv Me, Luv Me", her collaboration with Shaggy, who himself frequently uses this trope in his solo songs.
• And then there's the one-two punch of "Warmth" and "Moist" from the Damita Jo album. The former has Jackson describing how she is giving her lover oral , and segues right into the latter, where said lover returns the favor.
• Pretty much whenever the sound of a thunderstorm appears on Janet Jackson album, this trope is about to be invoked.

• In this vein, we also have Canadian pop group B4-4's single, "Get Down". It's best to see it in its full glory.
• There was an interview with John Mayer where he claimed to want to write a song called "Girl, I Wanna Fuck You, Girl", with lyrics like "There will be no remorse, we are gonna have intercourse."

• "Sky rockets in flight! Afternoon delight!" Harmless elevator music, until you actually listen to the lyics.
• Word of God stated that it was actually about Washington, D.C. restaurant Clyde's. Now whether one believes that or not...

• "I Drove All Night" (also performed by Roy Orbison) is about an unannounced long-haul booty call. It's also as thunderously rockin' as Cyndi gets, making it perfect mood music for said tryst.
• See also "Icicle" by Tori Amos.

• Dead Or Alive (the band Pete was the frontman of for many years) used this a lot. As noted above, "You Spin Me Round" is about . The songs on their first album were actually much more blatant than their later 80s releases: "What I Want", "You Make Me Wanna", "Far Too Hard" (which includes the lyric "Men should never make it with their own reflection"), and a cover of "That's The Way I Like It". They started getting blatant again in the 90s.
• There was a more explicit cover of YSMR, with the line "open up your fucking mouth, watch out here I cum".

"I wanna rock with you! (All night!)"

• "In the Closet" is just as suggestive, if not moreso. As if the lyrics aren't enough, the video makes the message clear Definitely NSFW/school/young children.
• "Break of Dawn", besides the somewhat somber mood.
• "The Way You Make me Feel" has "You really turn me on".
• Then there's "The Lady In My Life". Pretty much all of it.

• But it, like "Let's Talk About Sex", is also a subversion. George was actually writing an anthem dedicated to monogamy and The Power of Love. From the lyrics: "Sex is something we should do, is something for me and you. [...] Sex is best when it's one on one."
• His song "Faith" (later covered by Limp Bizkit), is about a man who turns down because he's "waiting for something more".
• Others that fit this trope include "Too Funky" from Red Hot And Dance, "Freeek!", and "Fastlove".
• From his Wham! days: "Wake Me Up Before You Go-Go."

"Be a little bit wiser, baby / Put it on, put it on"

• Amusingly, only the line "Boys and girls go good together" was edited for the teenybopper set, replaced with "Love will bring us back together".
  • The Other Wiki reckons that line was actually changed for being homophobic (although really it's more heteronormative). When the album was recorded, it wasn't known how big a gay following the group would get.
• Similarly, "Wannabe"'s line "Zig-A-Zig-Ahhh" is actually not a bad piece of onomatopoeia. It's a word the group made up while recording the song.
• Other songs include "Last Time Lover", "Bumper to Bumper", "Holler", "Get Down With Me", and "If You Wanna Have Some Fun".

• Another Divinyls example: "Pleasure and Pain".

Do you wanna see me down on my knees

Or bending over backwards now would you be pleased?

Unlike the others I'd do anything

I'm not the same, I have no shame, I'm on fire

• "Justify My Love", from The Immaculate Collection was an ode to lust so racy (or terrifying) that the video was not broadcast on TV in many countries, unless late at night.
• About half of the Bedtime Stories album is straight-up music. Complete with heavy breathing.
• "Where Life Begins" is six minutes of sneaky and not-so-sneaky innuendo about cunnilingus.
• And of course the outrageously literal "Erotica".
• "Into the Groove" (which "groove" did you want me to get into?) is thinly disguised using the dance motif:

  I'm tired of dancing here all by myself

  Tonight I wanna dance with someone else

• If you choose to believe Mr. Brown's interpretation from Reservoir Dogs, then "Like A Virgin" falls into this category. Doubles as Lyrical Dissonance.
• Her unreleased song "Liquid Love" which was recorded during the Music sessions.

• The video starts and ends with a faux newscast that makes it as obvious as possible. That newscaster is actually a poor imitation of Megyn Kelly, Fox News talking head and also one of those who felt compelled to point out the phonetic pun.
• Besides the point that the majority of her songs on her fourth, fifth and seventh albums were extremely ual (With titles like Get Naked and Touch Of My Hand featured in there tracklists). It would be better to list the ones which aren't ual (if any exist at all) then are.
  • There is also "If You See Kay", a 1982 rock song by April Wine, and another song by that name, a 2009 ballad by The Script.

• See also "Butterfly": "I went home, and I thought, 'I'm going to see if I can't write a song that a young woman would want to model her shoes to.'"
• Also by Mraz, "Clockwatching". Hell, I could write out every lyric in the song and none of it would be unnecessary for an example.

• Not surprising considering about 2/3 of her role on her ex-husband Michael Cretu's Enigma project consisted of heavy breathing. Also the lyrics to "Mea Culpa" are pretty blatant (the song is essentially an aggressive come-on from a hardcore submissive), not to mention French.

• They later regretted the song; the label wanted it to be their first American single, but the band rebelled.
• Their later Black and Blue album had the even less subtle "Shining Star," which went so far as to include lyrics like "Cause you know what to do to turn me on."

Let us be one and let's begin / A mistake that turns into perfection / I want to see you sliding in my underworld (underwear?) / This time I plan to let you win / Be a victim of my own invention / Let us be one and let's begin, once and for all

• "Whenever, Wherever" isn't that dirty, but has these lines: "Lucky that my lips not only mumble / They spill kisses like a fountain/ Lucky that my breasts are small and humble / So you don't confuse them with mountains".
• "Underneath Your Clothes":

Underneath your clothes / There's and endless story / There's the man I choose / There's my territory / And all the things I deserve / For being such a good girl, honey

'Cmon Angel, My Heart's on fire
Don't deny, your man's desire
You'd be a fool to stop this time
Spread your wings and let me come inside!

• Granted, everything by Rod Stewart is about .

• Rihanna's hit "Only Girl (In The World). Listen to the chorus:

Like I’m the only one that you’ll ever love

Like I’m the only one who knows your heart

Only girl in the world...

Like I’m the only one that’s in command

Cuz I’m the only one who understands how to make you feel like a man

• Her single "What's My Name" is similarly blatant, but one line in particular stands out...

Every door you enter I will let you in

• "Roc Me Out" is from the first second to the last. "Come over boy I'm so ready / You're taking too long to get my head on the ground / And my feet in the clouds, oh, oh / I'm so clean feelin' so dirty / Come right now you better hurry / Boy, you miss out / And I'll finish it off, oh, yeah".

• Also "Fever" and "Strut" both by Adam Lambert are good examples. So is "Glamorize".

• Sister deserves special mention.

I am no angel

I like it when you do that stuff to me

I am no angel

I like it when you talk, dirty when you talk (dirty talk)

When she moved her hips and swayed in my direction / I thought we could make it yet and beat the isolation / but in that gentle dark... man, we tore ourselves apart!

• Virus's lyrics are full of this. "Pronta entrega" has the singer express that he can be estimulated with music and alcohol, but he gets WAY more excited when he's with his lover.
• Eighty percent of Virus' songs are this. "El Probador" is about a girl and a store assistant having quick in a fitting room.
• Don't forget how Wadu wadu is from the POV of a guy with a Workaholic girlfriend who wants to take her to dance and then have so she will take a break. For these songs the group was heavily criticised in the post-dictatorship Argentina of The '80s, since they were accused of being hedonistic and shallow.

Love me, love me, it's the way you love me

Touch me, touch me, it's the way you touch me

Fuck me, fork me, it's the way you fork me

The way you love me baby has got me goin' crazy

• And don't forget this little gem:

Yeah, that's me, that's where you wanna be

I got the kind of pussy that'll keep you off the streets

• "Will You Love Me Tomorrow" was written by fifteen-year-old Carole King.

• To a lesser extent, "Two of Hearts".

A shooting star fell down to earth

Lightning cracked the sky

Something weird is happening

Something I can't deny

It's some kind of magic

Running through my brain

Feel I'm in heaven

Or going insane

I need your body tonight

I need you inside me tonight

When I think of you, I feel like flying

I go Ooh, Ooh

You go Ah, Ah

La la la la

Ah la la la

I can la la la la la la

I wanna wanna wanna

Get get get what I want, don't stop

Gimme gimme gimme what'cha got got

'Cause I can't wait wait wait

Any more more more more

Don't even talk about the consequence

'Cause right now your the only thing that's making any sense to me

• And "4ever".

  C'mon baby, we ain't gonna live forever

  Lemme show you all the things that we could do

  You know you wanna be together,

  And I wanna spend the night with you

  Yeah yeah, with you-ou, yeah yeah

  So come with me tonight,

  We can make the night last forever

  • Bonus irony points for having the exact same chord structure as P!nk's U + Ur Hand to transmit the exact opposite meaning. ("Keep your drunk, just give me the money; it's just [Title Drop] tonight.")

• Not to mention "Liquid Dreams", which is about wet dreams.

• Most of his album "Schizophrenic" is like this. He's also responsible for the *NSYNC entry above.

Pour yourself all over me
And I'll cherish every drop here on my knees

I'm breathing for the next second
I can feel you...loving me!

Jag kommer, jag kommer, jag kommer, jag kommer - Jag är nästan där

(I'm coming, I'm coming, I'm coming, I'm coming - I'm almost there)

Du och jag nu

Du snälla vänta, vänta, håll ut

(You and me now

You, please wait, wait, hold on)

• "Rosie" has a guy resorting to his hand when the moves he makes on a groupie fail.
• "Redneck Friend" is his nickname for his penis in one song and he really wants to introduce the girl to his friend, who is an "eleven on a scale of ten".
• "You Love the Thunder" has some pretty direct references.
• Then there is "These Times You've Come". Does that one REALLY need an explanation?
• And on his first album, "Under the Falling Sky" was very thinly veiled.

• The character Aqualung also gets mentioned on the song Cross-Eyed Mary, which is about a child prostitute.

"Oh my God, no exaggeration

Boy, all this time was worth the waiting

I just shed a tear, I am so unprepared

You've got the finest architexture

End of the rainbow looking treasure

Such a sight to see, and it's all for me"

• The "23 positions in a one night stand" line from "Gett Off". The entire song, actually.
• "Weird Al" Yankovic's pastiche of Prince's style, "Wanna Be UR Lover", drops whatever subtlety Prince may have had and just runs with it. ("I hope I'm not bein' forward, but do you mind if I chew on your butt?") The song also contains, hands down, THE most raunchy line ever sung by Weird Al. ("I wanna be your Krakatoa, let my lava flow all over you.")
  • And though few notice it, he has another not-quite-as-raunchy line in the song "One More Minute" about masturbation - "I'm stranded all alone in the gas station of love/ And I have to use the self-service pumps."

• The complete chorus: "So fill me up/ to the top/ and don't stop/ till I'm overflowing/ love is the seed/ and babe I need/ you to keep it growing/ stronger every day/ Oh no, don't take me half the way..."

"I can see what 'cha wanna do to me
You can feel it something's gonna break
Well I'm in if you're in
Let's make a big mistake"

"Sex bomb, bomb, you're a bomb

You can give it to me when I need to come along."

"Pon tu mano en mi cuerpo y mi boca en tu piel" (Put your hand on my body, and your mouth on my skin)

"Mira cómo me muevo, te vas a enloquecer" (Look at me as I move, you're gonna go mad)

"Voy a beberme todo tu ser, hasta hacerte gritar de placer..." ("I'll drink up all of you, until you scream in pleasure...")

• This Girl is a Woman Now, Exactly What It Says on the Tin, a man describing how he popped some girl's cherry. "A child had died/A woman had been born."
• Young Girl, he discovers the girl he just banged is Jail Bait and is real unhappy she didn't tell him first. He then tells her that she had best leave him alone and go home to her momma before he changes his mind and bangs her again.
• Lady Willpower, if they don't have right now then they never will, it's time she stopped waiting, and she shouldn't be afraid to give him her love - and let him give her his - because he'll be tender with her.

• "U.M.F." from The Wedding Album, with its line "making love to the ultimate mind".
• Don't forget their more famous song "Hungry Like the Wolf", which is anything but literal with its lyrics.

• "Come on Over Baby (All I Want is You)". The title gives away the whole plot.
• "Dirrty".
• "Nasty Naughty Boy" may be the winning candidate for the most ual song ever written, containing moans, sultry commands to the titular boy, masochism, oral... it has it all. Case in point, delicious gems/subversions like "I'm so wet I'll be the first one to blow... your mind."
• "Genie in a Bottle" is about the narrator turning down a guy's ual advances with the demand he get to know her first before proceeding to do anything, even though she's having trouble resisting him as well.

Underneath the starlight (starlight)/ We'll get lost in the rhythm so right / I might steal your heart tonight

• The Viva Hot Babes' song "Bulaklak" means "flower" in English, though the lyrics of the chorus curiously use a queen as euphemism for a penis.

Bubuka ang bulaklak / Papasok ang reyna / Sasayaw ng cha-cha / Ang saya-saya! (Filipino)

The flower's gonna open / And the queen will enter / Gonna dance the cha-cha / So very happy! (English)

• "Ibaon Mo Sa Limot" by Selina Sevilla figuratively means "Forget About It" in English, but she stresses the words "Ibaon mo" in the chorus. That literally translates to "Bury it", with "it" being the male ual organ.
• "Aray Naku" by Mae Rivera is, musically and in terms of the title, a Tagalog version of Timi Yuro's schmaltzy 1961 hit "I'm Hurt". But while Yuro sings about being emotionally hurt by a lying man, Rivera sings about the same feelings, albeit emphasizing the words in such a way it sounds like she was also physically hurt by the size of her man's schlong.

• "How Bad Can a Good Girl Be?" Is poetic about it, but is entirely clear about the answer to its title question:

  An ancient voice escaped my mouth
  And it screamed out in primal pleasure
  My spirit soul, my animal
  Came together in every measure
  Of life, of love
  Of flesh, of blood
  Of you

• "Leave Me Lonely" has been mistaken for a Break-Up Song, but Word of God is clear that it's a song about a passion so intense that any separation at all leaves the singer feeling lonely.

  Love me, hold me, don't leave me lonely
  Now take me, make me, baby don't break me

Hush, baby

I'm in the mood tonight

Slide your clothes off

We'll be alright

We're moving slow, to rhythm so forever

Dangerously close, we're falling together

Lose control, time to go

High, high, high

I lick my lips, as you grab my hips

I want it fast and dirty boy tonight

As I dip, I feel I gotta strip

It's getting way too hot here

• "Side to Side" ft. Nicki Minaj, is about getting nailed so hard you can barely walk.
• "Into You" has this curious line:

A little less conversation and a little more touch my body

Come harder just because / I don't like it, like it too soft / I like getting a little rough / not too much, but maybe just enough

I like the vibe in this hotel room

And I'd really like to get to know you

Start discovering your secrets

Underneath these very sheets

• From the same film: "Somethin' 4 Da Honeyz" by Montell Jordan.

So if a girly is lonesome
I think that she knows where to go when she wants some
Cuz Monty ain't here for nothing but I got a little
Somethin' 4 da Honeyz

I can't take it no more
Baby I'm coming for you

• as well as my personal favorite:

Let's both get undressed right here
Keep it up girl, and I swear
I'mma give it to you non-stop
And I don't care who's watching

• "Nice and Slow" is pretty blatant.

I got plans to put my hands
in places I've never seen
Girl, you know what I mean

• Usher practically runs on this trope.

• But these lines make it obvious:

Step back you're dancing kinda close (yeah)
I feel a little poke coming through
On you
Now girl, I know you felt it
But boo, you know I can't help it
You know what I wanna do

• The fun part is that the quoted line isn't censored at all by most radio stations. A little cheery music goes a long way.
  • The entire song is in no way subtle. The fact that it got played at all is amazing.
• Oh, and while we're there, this list can't be complete without "Taste So Good", which takes this trope and runs with it. Not only that, the chorus sounds like a couple dirty-talking before doing it, and the opening disclaimer says: "Please play at a low volume, preferably, while having .".
• The last verse of "Wifey" is also quite blatant:

Skinny designer fit real jiggy
Ain't afraid to hump with me
When we get busy
Ride out I licky-licky
Till I get dizzy
Toes done, fresh scent
I think it's sizzly

If you're free tonight, I'd love to take you home
You understand that I don't want to spend the night alone
It would be like paradise, making love to you, yeah
Don't you think it's time I got into you?

• Ignition. Not Ignition (Remix), mind you. Just straight up Ignition.

  Girl, please, let me stick my key in your ignition babe...

• Sex Me. Both parts, resulting in an eleven-minute-long ballad.

• Whitesnake's "Slide It In" (this one was used by Dan Green):

  I'm gonna Slide It In, right to the top!
  Slide It In, ain't never gonna stop!!

  • Also "Still of the Night".
• Bullet Boys' "Smooth Up (In Ya)"
• Def Leppard's "Pour Some Sugar On Me"
  • Anything by Def Leppard!
  • Taylor Swift did a collaboration concert on CMT's Crossroads, with her singing this song.
• Warrant's "Cherry Pie"
• Mötley Crüe. Just about everything by them that isn't about drugs.
• Krokus: (Tonight) Long Stick Goes Boom.
• Danger Danger's "Naughty Naughty"

• The title of the song "Bück Dich" means "bend over" in German, which immediately settles what that song is about. It contains the line "dein Gesicht ist mir egal", which translates roughly to "your face doesn't matter" or "I don't care about your face." The band was once charged with public lewdness over their stage performance of that song.
• "Zwitter" is about a guy who becomes a hermaphrodite by absorbing a woman into him somehow, and remarks often on his love for himself, with a line that translates to "I am not even disheartened then / When someone tells me 'fork yourself'".
• "Frühling in Paris (Springtime in Paris)" is about the main character having oral with a prostitute. "Küss Mich (Fellfrosch)" is about oral as well.
• "Te Quiero Puta!" — well, for a start title translates to "I love you, whore".
• The song "Rein raus". It translates to "In out" and, well... yeah. The first two phrases in the song translate to "I am the rider, you are the horse".
• "Sehnsucht" is about one of those subtle German emotions English has no word for. "Sehnsucht" translates roughly as "longing" but it's far more complex than that, to the point where C. S. Lewis has written a lot about the spiritual aspects of it. The song, though, describes it in terms of wanderlust and the desire to finger a woman, complete with a lot of really gross euphemisms.
• "Spiel mit mir" is a brother/brother incest song.
• "Wollt ihr das Bett in Flammen sehen?" translates to "Do you want to see the bed in flames?" Discuss. "Sex is a battle, love is war".
• "Das Alte Leid", also off Herzeleid, which contains the lyrics "I know at last... I want to fork".
• "Pussy" isn't about cats and the uncensored video really settles the matter. Though for some reason, there are some who claim the song is a criticism of US/German relations... the political kind. The band says it's a parody on the tourism trade and if you've ever been overseas and met the kind of people who get into tourism, you know just how disturbingly good of a parody it is.

Take me now, oh, don't you see? I can't get laid in Germany!

• "Ich tu dir weh" (I hurt you) adds a heavy dose of Squick that got the uncensored album banned in its home country. Some of the lyrics, when translated to English, sing as: "Bites, kicks, hard blows/Needles, pliers, dull saw/Make a wish, I won't say no/And I'll insert the rodents into you".
• The song "Mann Gegen Mann" is quite clearly about gay intercourse.
• "Weißes Fleisch" ("White Flesh") is a twisted song about a man lusting after and raping a younger woman and wanting to destroy her innocence while getting off on her fear.

I fork like a beast!

• Stab Me In The Back is a song that's either about gay or on drugs. This was Yoshiki's way of providing a Take That! to his label at the time - they wouldn't accept the version about gay , so he rewrote it to be about drugs - which was even more taboo in the culture.
• In White Poem, this trope merges with Obligatory Bondage Song, and in the live of the song, the performance is a real D/s scene with Yoshiki as the sub.

Whoever thought you'd be better
At turning a screw than me
I do it for my life
Made my driveshaft crank
Made my pistons bulge
Made my ball bearings melt from the heat

I wanna get psycho / run you little bitch

I want your power glowing, juicy flowing, red hot meaning of life

It's not enough to have a little taste / I want the whole damn thing (can you dig it?)

Need to get psycho / Wanna hear you say it

Say you want it / Need it / Don't wanna wait until we finish the show

It's not enough / You hunger for more

You're one twisted little fork/ Now you wanna get psycho with me".

• Of note, the band decided to play it during the "Groupies" section of their home-made documentary M.O.L (interestingly named after the song in question).

• There is also the song "So Hott". It doesn't get much more blatant.

• This carries over to Maynard James Keenan's other projects. A Perfect Circle's "Thinking Of You" is about masturbation, and Puscifer's "Rev 22:20" combines religious references with a ton of innuendo.

• "The Real Thing" includes lyrics like "A split second of divinity / you drink up the sky / all of heaven is in your arms." It's not the subtlest song.
• "Cuckoo For Caca" is about coprophilia, or scat. Look it up if you REALLY want.

Woman, may I know you there? ...
Don't spill a drop, dear
Let me kiss the curse away
Yourself in my mouth
Will you leave me with your taste?

"God I muss confess, I do envy the sinners."

• Don't forget "Wish I had an angel" :

I wish I had an angel
For one moment of love
I wish I had your angel,
Your virgin Mary undone
I'm in love with my lust
Burning angel wings to dust
I wish I had your angel tonight

• "Passion and the Opera":

Barely cold in her grave,
Barely warm in my bed
Settling for a draw tonight
Puppet girl, your strings are mine

• "Whoever Brings the Night" from the Anette Olzon-sung Dark Passion Play.
  We seduce the dark with pain and rapture
  Like two ships that pass in the night
  You and I, a whore and a bashful sailor
  Welcome to a sunrise of a dirty mind

  All your love is a lie
  You one-night butterfly
  Hurt me, be the one
  Whoever brings the night

On and on we're charging to the place so many seek

In perfect synchronicity of which so many speak

We feel so close to heaven in this roaring heavy load

And then in sheer abandonment, we shatter and explode!!!!

• "Eat Me Alive" is even more blatant. As a representative sample:

Bound to deliver as

You give and I collect

Squealing impassioned as

The rod of steel injects

My body's hungry

Sweating in heat

I'm gonna give her

My rod of meat

• "Temptation"
• "The Byronic Man"
• "Lord Abortion"

• And then there's also Ich will nur ficken, which puts it right in the title with "I just want to fork".
• There is also Ey Du Alte Ficksau. Then there is Lied vom Pferd ("Song of the Horse") which is pretty obviously about beastiality. On the other side of the spectrum, we have the slow Ich bin überhaupt nicht da ("I'm not even there"), which is about a depressed person, having with a hallucination (from the perspective of the hallucination).

• Then there's Last Legal Drug (Le Petit Mort). They even use a French euphemism for orgasm as part of the title!
• Along with that, "A.D.I.D.A.S.", which stands for "All Day I Dream About Sex".

I must confess

I'm addicted to this

Shove your kiss straight through my chest

I can't deny I'd die without this

Make me feel like a god

Music, love, and

(Adrenalize me)

When purgatory's waiting

and the girl immaculate

the highest of commandments dictates to copulate

So you're sitting there beside her/ With your arms you hold her close/ And you're wondering just how far she'll let you go

• There are plenty of ual allusions in Genesis songs: "Counting Out Time", "The Battle Of Epping Forest" (the "reverend" section), "Turn It On Again", "Anything She Does", and their old demo track "Let Us Now Make Love".

Panicking in my daydream

I wanna feed my soul

Slip it in and stuff it under my skin

One more time it rides

My senses of joy, so I won't let go

One more time I rise

• "Caress Me Down" has the lyrics, "And then she pulled out my mushroom tip", which doesn't exactly scream subtle.
• There's also the song "Date Rape"

• William Beckett's solo music took it up a notch, with lyrics like "When the curtains closed/we were getting close/and the clothes in the corner laid there all night."

• Speaking of The Killers, "Bones." The chorus is...quite explicit.
• The chorus of "Mr. Brightside" is incredibly explicit. Particularly: "Now they're going to bed, and my stomach is sick, and it's all in my head, but she's touching his... chest." The rest of it is a little more subtle.
• The Killers song "Midnight Show" is a subversion. The lyrics are mostly the words of a guy driving with his girlfriend telling her all of the y plans he has for her, but the band has revealed it's the middle song of the "murder trilogy" (coming after "Leave the Bourbon on the Shelf," and before "Jenny Was a Friend of Mine"). He's saying those things to lure his girlfriend to a secluded place to kill her and escape their dysfunctional relationship.

• He did cover Adam Ant's "(You're So) Physical" and "Get Down Make Love" by Queen so that should count for something.
• "The Only Time". Trent Reznor even used to introduce the song by saying, "This is a song about fucking."
• A good portion of Trent's career is built up on songs about ! "Kinda I Want To", "Sin" ("I gave you my purity/my purity you stole" sets the mood of the song, as does the music video), "The Only Time" (as mentioned above), as mentioned, "Physical", "Closer", "Reptile" (the whole song is about screwing a prostitute), "Big Man With a Gun" ("I am a big man, yes, I am and I've got a big gun/got me a big ol' dick and I like to have fun" etc.), "Deep" ("all I can do/driving on through/into you"), (by some interpretation, at least one line) "The Perfect Drug" ("you make me hard/when I'm all soft inside"), "With Teeth" (the whole song, basically, although some say that the woman is a drug metaphor), "Sunspots" ("she turns me on/she makes it real/I have to apologize/for the way I feel" & "fork in the fire", though same as With Teeth)... and much, much more.

• Some are mistaken for , such as "Come Together" (written for Timothy Leary's failed attempt to run for Governor of California) and "Please Please Me" (allegedly about oral , but John just liked repeating the word).
• A lot of the Beatles' early songs, from when they were still considered the "clean" alternative to The Rolling Stones, are like this. Particularly, there's the chirpy "Hold Me Tight" - it sounds like another cute story of teenage love until "Making love to only you..."note 
• There's "Lovely Rita", which is so utterly blatant it has sound effects during the instrumental part.
  • Coming to a climax with the spoken words, "I'm leaving".
• Album one, track one, line one: "She was just 17...if you know what I mean..."
  • The Beatles claimed that even they didn't know what they meant.
  • The original line that Paul wrote was "She was just seventeen/Never been a beauty queen" but changed as he and John thought it was a Painful Rhyme.
• "Baby, you can drive my car!"
• "Back in The USSR" is pretty dirty too:

  Show me round your snow-peaked mountains way down south

  Take me to your daddy's farm

  Let me hear those balalaikas ringing out

  Come and keep your comrade warm

• "Desire", "If You Wear That Velvet Dress" and possibly "Elevation". Bono's subtle, but not that subtle.
• And then there's "Big Girls Are Best", the B-side to "Stuck In A Moment" of all things which throws any trace of subtlety out of the window.
• Just listen to Achtung Baby and you'll soon realise just how many references to oral are spread out through the album. It's rather surprising just how often they try to slip it in.

Cause she's playing all night, and the music's alright. Mama's got a squeezebox, Daddy never sleeps at night.

She goes squeeze me. C'mon and squeeze me. C'mon and tease me like ya do. I'm so in love with you.

• Not to mention the seemingly never ending chorus of " in and out and in and out and in and out and in and out".
• "Pictures of Lily", which is about A Date with Rosie Palms.
• Also, "Mary Anne With The Shaky Hand" sure sounds mild enough, but the lyrics get pretty blatant.

I danced with Linda / I danced with Jean / I danced with Cindy / Then I suddenly see / Mary-Anne with the shaky hands / What they've done to her man Those shaky hands

• "You Better You Bet" is pretty blatant too— You welcome me with open arms / and open legs / I know only fools have needs / but this one never begs

You need cooling/baby I ain't fooling/I'm gonna send you/back to schooling/way down inside/woman you need it

• That line proved too explicit for Chinese Olympic officials, and was altered for the closing ceremony of the 2008 Games. Really.
  • Don't forget about "Shake for me girl, I wanna be your backdoor man" Blues-talk for a secret lover: The "back door" he uses is literally the back door of his (usually married) lover's house for his escape.
• "Custard Pie" starts with "Drop down, baby, let's go to sleep, yeah/Drop down, mama, lay down, just dream of me". Subtlety? We don't need no stinkin' subtlety!
• "Squeeze my lemon 'til the juice runs down my leg". That line was written by Robert Johnson, in the Thirties.
• "Trampled Underfoot," a song filled with euphemisms. The entire song is about , described in automotive terms

Greased and slicked down fine, groovy leather trim/I like the way you hold the road, mama, it ain't no sin!

• "Dazed and Confused" It even included male moaning.
• "In The Evening" deserves a special mention for Jimmy Page's solo sounding like he's having with his guitar. Literally.

• The crazy part is that it's actually one of the more subtle examples in their repertoire. When you scroll through their tracks and find titles like "I Want to Fuck a Dog" and "It Would be Nice to Have a Blowjob", you just know they don't beat around the bush. (Except in, for whatever reason, "Feeling This".)

• "Loving Cup":

  Yes, I am nitty gritty and my shirt's all torn
  But I would love to spill the beans with you 'til dawn

• Then there's "Let It Bleed":

  Well we all need someone we can cream on
  And if you want to, well you can cream on me

• And also "Honky Tonk Woman," which probably does not describe an allergy problem:

  She blew my nose and then she blew my mind

• An early Stones example would be "Let's Spend the Night Together", which may seem pretty mild and innocuous now but positively scandalized a lot of people back in '67.

• "Love In An Elevator" can't be mistaken for anything else, even if you try.
  • That album has more, even opening with "Young Lust".
• And "Walk This Way", their cover of "Big Ten Inch (Blues Record)"... Aerosmith, Intercoursing With You since 1973.
• "Back in the Saddle" talks about through cowboy metaphors ("I'm riding, I'm loading up my pistol!").

Naked in my bed

one fling no strings

movin' all around the room

chicka chicka boom boom...and then we did it

on the floor

against the door

up on the sink where we did it some more

the sun was hot and we were both burning red

we were naked in my bed

Oh, babe, I wanna put my log in your fireplace!

• "C'mon Girl" contains some of my favourite innuendos ever. Like "The cave within your mountainside / Is deeper than it will be wide...".
• Or anything on (as you might expect) the Blood Sugar Sex Magik album.
  • "Mellowship Slinky:" "Sopping wet her pink umbrella/do the dog with Isabella."
  • "Suck My Kiss:" "Someone full of fun do me till I'm well done/Little Bo Peep cummin' from my stun gun.
  • "Give it Away" subverts this trope: "What I got you gotta get it put it in you" is actually about giving things away, making it a Double Entendre.
  • "Sir Psycho Sexy". Period. It even has the ofunkywahwah guitars.
  • Et cetera et cetera ad (sometimes literally) nauseum.
• Californication has the good old "Purple Stain" which starts with "To finger paint is not a sin/ I put my middle finger in/ Your monthly blood is what I win/ I'm in your house now let me spin". Subtle.
  • Also "Get on Top," which is not-so-subtle
• The song "Special Secret Song Inside" was originally called "Party on Your Pussy," but Executive Meddling made them change it. The chorus was just "I wanna party on your pussy baby," so the message still remained.

• (She's Got) The Jack is technically about a lady with a venereal disease...
• Apparently Brian Johnson has a very good reason why he's singing those songs.
• And probably because Bon Scott was perpetually drunk/horny (how do you think he died?)
• Whose Line Is It Anyway? parodied this tendency during a Compilation Album game with a song called "I Dropped My Chips In Your Nuts."
• "Touch Too Much" is another standout example, and "Let Me Put My Love Into You" actually wound up at #6 on the PMRC's "Filthy Fifteen" list of the most objectionable rock songs by content. (Incidentally, "ual content" was cited as the reason for inclusion of nine of those songs.)

• Making Paul Anka's cover version on his Rock Swings album, even more disturbing.Eating out? There's quite a lot of possibilities, if your mind is significantly dirty.
• The Cure by this point had a lot of experience writing songs about musically as far removed from "y" as can possibly be... But, by the same token, most of these songs actually subvert the trope by being either terrifying or just horribly depressing. The 1982 album Pornography is made of this, with the glacially-paced dirge "Siamese Twins" taking the cake for being the most ually explicit and least y song on the entire album.

Feel * my* ...* my* ...* my* serpentine
I, I wanna hear you scream

• But considering the song is mostly about a savage place, it's not pretty he's talking about.
• "Anything Goes", "Pretty Tied Up" and "Rocket Queen" don't try to hide its ual content - the latter even adds an live-at-studio example of The Immodest Orgasm.

• The album artwork for the Mars album paired the lyrics to "Vanilla" with a picture of a well endowed woman wearing a low cut blouse who had apparently just had a glob of melted vanilla ice cream drop onto her cleavage.
• Back during Malice Mizer days, Illuminati. Look at the PV, then at the LIVE. Try to tell me it's about a secret Covert Group THEN.
  • Careful where you step with Illuminati, though. The PV is fetish material to some, but to others it's highly concentrated horror. The Live is better for explaining this trope in particular, especially given the Gackt Sandwich.
• And now of course, there is the newest attempt at out-doing "Vanilla", "Koakuma Heaven", which he sings either from the POV of a hooker, or a gold digger. Then Fandom is still out on that one...

• That one's an "Intercourse With Me" song.
• Billy Idol has plenty of these, of course, but his absolutely most blatant is his newer single, "Scream." Lots of lemon references.
• Not to mention "Rebel Yell", which was allegedly about giving a really good blow job to a woman.
• "Rock the cradle of love..."

• "Feed My Frankenstein" includes the line "Let me drink the wine from your fur tea cup."
• Also, "Bed of Nails". "Our love is a bed of nails / Gonna drive you like a hammer on a bed of nails"

Wake up with bloodshot eyes/struggle to memorize/the way you felt between my thighs/pleasure that made you cry

• Most of Maroon 5's songs have at least one line/verse that falls into this trope. Maroon 5 pretty much runs on this trope.

• "I would do anything for love... But I won't do that!"
  • Not quite as bas as is sounds, the "That" in question being forgetting the girl and moving on. Still: "But I'll never forgive myself if we don't go all the way, tonight."
• "Good Girls Go to Heaven" anyone? subtitled (Bad Girls go Everywhere). Though it's more about masturbation. "No one said it had to be real/But it's gotta be something you've been wanting to feel" and a verse about a guy's fantasies.

• Heart has a few songs in this vein; Magic Man ("'Come on home girl' he said with a smile/Cast my spell of love on you, a woman from a child"), "How Can I Refuse?" ("Where do we take it now?/Now that we caught fire/Will something greater grow/Out of this desire), "All Eyes" ("You're all eyes, all eyes/Touching me in the night), "Nothin' At All", "I Want You So Bad" (Could be interpreted as just a mere attraction, but the line "Every night's an eternity/I want you so bad, want you so bad", implies otherwise), "Wild Child" (Basically the whole song, but the last line of the chorus "Oh baby, go wild with me" makes it obvious), "All I Wanna Do Is Make Love To You" (Interestingly subverted as the singer is only sleeping with the man so she can get pregnant), "I Didn't Want To Need You" ("When we spent the night together/Didn't mean it meant that much/Now I can't live without your touch") and there's probably others.
• In an interesting subversion, "All I Wanna Do (Is Make Love To You)" is also about a one night stand - this time, for the purposes of conception.

• "Tic Toc" is almost startlingly clearly placed in this category, especially considering her 'wholesome' songs beforehand.

Well push come to shove man and, shove comes to push and I was

Moses kneeling 'fore the burning bush of a Red Headed Woman

• "Cross My Heart" seems to have similar subject matter: "I was lying there with something sweet and salty in my mouth"
• "Pink Cadillac" is another example. Actually, he once refused to let Bette Midler do a cover because he said it "wasn't a girls song"
• "Dancing In The Dark", right on the title!

Look I'm standing naked before you

don't you want more than my

I can scream as loud as your last one

but I can't claim innocence."

• "Raspberry Swirl" is often interpreted as a song, but it is unclear exactly what it means. Some people assume it's about cunnilingus - the word swirl is used as a verb, and the raspberry... Others assume it's about lesbianism, orgasms, or even about having with a woman on her period. Guess what the raspberry swirl is in this situation.
• In usual Tori Amos fashion, "Body and Soul" is about a woman trying to seduce a priest.

''All the gifts that they gave can't compare in any way

To the love I am now giving to you

Right here right now on the floor...''

• Sample lyrics from "Flower," which evidently was one of her first demo tracks:

Every time I see your face

I think of things not pure and chaste

I want to fork you like a dog

I'll take you home and make you LIKE it

• "Feel It" is about a ual encounter (real or imagined) and "Moving" is about being attracted to her (gay) dancing and mime instructor — and they was released when she was only 19!
• Another (much later) song, "The Sensual World", has these lyrics (and more):

And at first with the charm around him, mmh, yes,

He loosened it so if it slipped between my breasts

He'd rescue it, mmh, yes,

And his spark took life in my hand...

• "Symphony In Blue" doesn't even try to be implicit. "The more I think about , the better it gets!"
• "Nocturne" in her Aerial album - delicious.

• "Up For Breakfast" and "Unchained" were loaded with double and triple entendres of this variety.
  • "Up For Breakfast" doesn't even bother with entendres for the first verse, it's more or less pretty blatant. "Got the hand...put it where its gonna heal ya / Got the finger...put it right there on the trigger / Well, pump it up, pump it up / Baby make it bigger."
  • "Up for Breakfast" is typical of the Sammy Hagar years; he seemed to love writing innuendo-laced songs about food. "Good Enough" and "Poundcake" also come to mind. As well as the non-food based but still pretty blatant "Finish What You Started."

Saw 'er in the Amazon, with the voltage runnin' through 'er skin
Standin' there with nothin' on, she gonna teach me how to swim
I said "Ooh girl.. shock me like an electric eel"
"Baby girl.. turn me on with your electric feel"

I been holdin' it in, way down underneath

You make me roll my eyes, baby, make me grit my teeth

• Night Moves is obviously just a song
• The Fire Down Below is about hookers (and possibly STDs)

• "Blood of Eden" is similar, actually containing an entire descriptive verse about an orgasm.
• "Kiss That Frog". The entire song is an unashamed metaphor for placing lips on, err...something else.
  • In fact, it would probably be easier to list all his songs which don't include at least one innuendo.

• Well, it is Rocky Horror, what did you expect?
• I really don't think we need to actually choose a particular song for this effect, remove "Dammit/Janet" and it's pretty much the entire soundtrack.
• Gives a whole new meaning to "Let's do the Time Warp again!" She bangs so good she bends spacetime.

• Also "Food Innuendo Guy," a parody of filthy-blues style, composed entirely of...food innuendo.

• While we're at it, how about "Let's Do It," in which he explains "Birds do it/ Bees do it/ Even educated fleas do it/ Let's do it/ Let's Fall in love."
• "Too Darn Hot" from Kiss Me, Kate is pretty clear with lines like "According to the Kinsey report/ Every average man you know/ Much prefers to play his favorite sport/ When the temperature is low". Other versions considered more suitable for the public of the 40s and 50s (like the 1953 movie) substitute "the latest report" and "prefers his lovey-dovey to court" in to make it less obvious.

• The song came out in 1970, before most houses were air-conditioned. And it was the afternoon (hottest part of the day) up in his room (hottest part of the house).
• According to rumor, "Cecilia" was the name of Paul Simon's dog.
• "Me and Julio Down by the Schoolyard" had the same rumor: Julio was supposedly a dog.

• "Master and Servant," on the other hand, is completely straightforward:

"It's a lot like life/ This play between the sheets/ With you on top and me underneath/ Forget all about equality/ Let's play/ Master and servant."

• It would be fair to argue that a good portion of Depeche Mode songs are in some way about . Dave Gahan is called Martin Gore's personal voyeur for a reason.
• Good lord, "Soothe My Soul". If there's any imagination left to the lyrics, the video completely obliterates it.
  • Ditto "Slow" from the same album.
• Can you pick the subtle innuendo from "World In My Eyes":

Now let your mind do the walking

And let my body do the talking

Let me show you the world in my eyes

Cause it's the first of May, first of May,
Outdoor fucking starts today.
So bring your favorite lady
Or at least your favorite lay.

• Coulton has fun with this particular trope. Here's "Soft Rocked By Me".

You will be soft rocked by me
Though it may take some time, I know eventually
You will be soft rocked by me
I use the passive voice to show how gentle I'll be
When I soft rock you
You will know it's true
That you've never been soft rocked 'til you've been soft rocked by me

There was a time you let me know / What's really going on below / But now you never show it to me, do you?
And remember when I moved in you / The holy dove was moving too /And every breath we drew was Hallelujah...

• Jeff Buckley's cover from Grace (as well as any cover-of-a-cover versions) plays up the metaphor even more, with the melody gradually building in pitch and intensity until it reaches the word "Hallelujah," before the much more subdued chorus.
• While we're talking about Leonard Cohen, there's "Take This Waltz"

In the cave at the tip of the lily/In some hallway where love's never been

• Somewhat surprisingly, given his reputation, he manages to avert this trope more often than invoke it. He really doesn't beat around the bush, and often manages to insert extremely crude imagery into otherwise very pretty and tender ballads of lost love.

I remember you well in the Chelsea Hotel, you were talking so brave and so sweet. Giving me head on an unmade bed, while the limousines wait in the street.

• Also: "The Red Strokes," "Two of a Kind, Workin' On a Full House," and "That Summer" (though the last one is more serious and darker than the others).

Bitter and hot spice
I'll give it only to you now
My taste that leaves you dazed
Feel it with your body!

• LUVORATORRRRRY, with its mesmerising thumping beat, has lyrics that are completely shameless about being a thinly-veiled desire to do it roughly.

Love Me　Baby　Baby
Give Me　Very　Very
Please, go ahead, do it so rough
There’s no time to breathe
Beasty　Gimmick　Gimmick
Knock Out　Gimmi　Gimmi
I wanna be destroyed
With us as we are right now Knock Down\\

When I grow up I want a pony

I'm gonna ride him until dawn

I'm gonna brush his mane and feed him sugarcane

And keep him safe from the storm

Hi my name is Chris fucking Donathon, don't get mad Jefree Star cuz I made you snort a lotta my cum while I fucked you in the ass...

Pulled up at a stoplight, did drugs on the dashboard, look at the mess we've made tonight

Kick off your stilettos (oh yeah)

Kick off your stilettos (oh yeah)

And fork me in the back seat

F-f-f-fork me in the back seat

• Don't forget 'Lollipop Luxury'.

Fuck me, I'm a celebrity

Can't take your hands off me

I know you want to suck me,

What are you waiting for?

• Teacher, teacher, teacher, I've been a dirty whore

I want your nails on my back like nails on a chalkboard.

Teacher, teacher, teacher, keep me after class

I've been a bad boy, now take a paddle to my ass.

Innocent High

• I'm gonna jizz all in your face,

I'm gonna wreck this fucking place,

Pull my hair, smash the chair,

Break the bed and give me head!

Scream For My Ice Cream

• I'm slamming bitches like Kong's slammin' barrels

Fuck more wenches like I'm Captain Jack Sparrow

Cock so good I had to put it in a song

It's wrong, wrong, wrong like Gaga's got a ding dong!

It's On Like Donkey Kong

My sticky lollipop, it's such a sweet gumdrop

I'm bout to explode, it feels to good to stop

Just taste my tootsie roll, you melt my icicle

I gotta get my fix, please lick my pixie stick!

Candyland

And he tapped at the bush

And the bird it did fly in

A little above her lily-white knee;

Her sparkling eyes they didturn round

Just as if she had been all in a swoon;

And she cried, "I've a bird; and very pretty bird;

And he's pecking away at his own ground...."

• "Crawling King Snake", however, refers exactly to what you think it does.
• Well, the men don't know, but the little girls understand.
  • There are more examples than could be listed here. Let's just say 30's blues and jazz lived off this trope.
  • For example, anything by Blind Willie McTell (I'm lovesick baby, you got me graveyard bound/gonna make you moan like a graveyard hound IIRC), Terraplane Blues By Robert Johnson (I'm gonna get deep down in this connection/keep on tangling with your wires), and John Lee Hooker's Boom Boom (entirety of)
  • The last third of Ray Charles' "What'd I Say" is essentially a session of rough set to music, and it got broadcast on TV in an era where sitcom couples had separate beds!
  • And then there's Slim Harpo's "I'm a King Bee," not too famous in itself but known through covers by Muddy Waters, the Stones, the Doors, the Grateful Dead, and Pink Floyd. (Yes, that Pink Floyd—it was in the pre-Piper days when they were basically a blues cover band.)
  • The whole genre of dirty blues takes the lustfulness traditionally found in blues music and turns it Up to Eleven. Perhaps the most mind-boggling example is Lucille Bogan's "Shave 'Em Dry".

    I got nipples on my titties, big as the end of my thumb,

    I got somethin' between my legs'll make a dead man come,

    Oh daddy, baby won't you shave 'em dry?

    Want you to grind me baby, grind me until I cry.

    Say I fucked all night, and all the night before baby,

    And I feel just like I wanna fork some more,

    Oh great God daddy,

    Grind me honey and shave me dry.

• It's been parodied by machinima artist Nyhm in his song "Hard Like Heroic," which is made up of euphemisms for combined with World of Warcraft references. "Hard like heroic, more than you can handle / So let's do it like a Druid in the general channel."
• An even more over-the-top example by the same band is "Foxtrot Uniform Charlie Kilo". Each line is a different euphemism for . At the end, they stop being even vaguely subtle and repeat the line "Put the you-know-what in the you-know-where!" repeatedly, up to the last chorus.
• "3.14" has a rather clever title. The song also includes the double entendre "You know what I really want in a girl? Me," and is prefaced by a recorded call from the singer to his mother, asking for her help in finding words that rhyme with "vagina".

• Buffett himself said he wrote the song after hearing one too many innuendo songs and decided to write one removing all doubt.

Don't kiss me like we're married

Kiss me like we're lovers

• Also by Lady A: "Lookin' For A Good Time" which is either about Friends with Benefits or a casual hook up.
• Averted in "Downtown": The girl knows that this isn't going to happen unless her partner performs cunnilingus on her, which he doesn't.

So take your cock out

Shove it in my ass

Fuck me until you come

Oops!

I mean let's join our souls

And unite our bodies

And fly with the wings of God

We grab a cab that takes us back to the crib

Where we can lose control and put on a show

We're gonna make this night the night of our lives

So come on come on

'Cause we're coming after you

My love for you is like a truck, BER-SER-KER!
Would you like some making fork, BER-SER-KER!,

Let's do it, let's do it,

Do it til our hearts go boom!

Go native, creative,

Living in the living room,

This folly, is jolly,

Bend me over backwards on the hostess trolley,

Let's do it, let's do it tonight!

I’m sorry, I’ll stop talking ‘bout the murderer thing
Let me get back to playin’ with your thing
You got a beautiful ass,
Strong ass arms—
Is that a gun?! Oh thank God, it’s just your penis.
Have...
You been tested for STDs?

• And then of course, there's Inga's introductory number, "Roll in the Hay".

• "Then I think of that ol' Golden Rule/An' do fer him what he would do fer me!" (In the 1998 RNT production Ado Annie spreads her legs on this line, leaving no doubts as to what she's talking about.)

• "Music of the Night" isn't much better in that regard. "Touch me, trust me, savor each sensation..."
• Subverted later, with a verse that implies the Phantom is also impotent. "That fate which condemns me/To wallow in blood/Has also denied me/The joys of the flesh" Given what happens in the sequel Love Never Dies though, he may have meant 'denied' in that no woman would have him, as he apparently could perform well enough to father a child with Christine.

• And let's not forget one of the cut songs was aptly named "Great Sex"!

• ... But it also makes the line "If it turns out it's over too fast" a bit unintentionally funny.

You're not allowed to be loud

At the library

At the art museum

Or at a play

But when you and your partner

Are doing the nasty

Don't behave like you're

At the ballet!

Cause you can be as loud as

The hell you want

When you're making love!

Like fire, Hellfire,
This fire in my skin!
This burning desire
Is turning me to sin!

• From the same musical, "Blue" deliberately sounds like a romantic duet...but is still about two boys complaining about how badly they want .

• From Frozen:
• From The Lion King
  • "Can You Feel the Love Tonight?" becomes "We are gonna pork tonight"
• From The Little Mermaid:
  • "Kiss the Girl" becomes "Pork the Girl"
• From Aladdin:
  • "A Whole New World" becomes "I'll Pork this Girl"

• There's also "Best Zelda rap EVER!" where the old man in the first game who says "It's dangerous to go alone, take this!", tries to seduce Link into giving him a blowjob. You read that right. Must be seen to be believed.

A premonition of danger
But there's no turning back for the two of us
Skin touches skin, in that moment
Lightning shoots through our bodies

• Well, Mozart did write "Lick me in the arse"...
• Is this actually considered fictional anymore? Spinal Tap's released a few albums and had tours since the fake movie.
• Not to mention that many of the songs by Spinal Tap feature ridiculously extended and very transparent metaphors for , making fun of the trope. Such as "Sex Farm".
• "Gimme Some Money," one of their early songs, is a subversion. The "you know what I want, you know what I need" lyrics are very clearly building to this, but then the refrain arrives and what they want just turns out to be money.

Oh, come and stir my cauldron

And if you do it right

I'll boil you up some hot, strong love

To keep you warm tonight

• At one point, the heroes of King Dork acquire a Christian stoner band member whose songs are like this, and the Plucky Comic Relief tells the audience at one point, just to make sure they're not confused, "This song is about the face of God."

You make me com... plete

Rim licking/ Clit flicking/ You're the stuffing/ I'm the chicken/ Said we're clicking/ You're still licking/ Clock is ticking/ Stick your dick in

In this club they cannot tame us/ On the dancefloor tongue meets anus/ Boy I need you in my South Pole/ Put your star into my black hole

When I squeeze her trembling bosom,
The blood pumps to my loins
When I penetrate her —

And Mahatma Gandhi, and the pancakes, and the dragooon...and you.

You took me by the hand
And made me a man
That one night, you made everything alright

Hey, Kendra
I been thinkin'
I gotta gotta gotta gotta get with you
I wanna get all up in your business girl
And make you feel real fine
Hey, Kendra
Come closer
I got myself a brand new rockin' horse
Why don't you come on here, mama, and rock it rock it all night long

I'm working on my twerking/My libido's always lurking!/'Cause you're such a pretty pony/ and this feeling can't be phony/I will take you out to dinner/Make you feel like such a winner/And before the night is over/make you feel like such a sinner!

• One of the best parodies when Cartman becomes a Christian rock musician by switching "baby" for "Jesus" in standard song like this. Hence, all of his songs are about loving Jesus...that way

I want to get down on my knees and start pleasing Jesus, I want to feel his salvation all on my face...

• Pretty much every time Chef sings, intentional or not.

Doin' it, doin' it. D-d-Doin' it.

Should we break for lunch?

Nope! Let's keep doin' it, doin' it.

Someone's at the door.

I don't care!

We're doin' it, doin' it.

Wanna put on our hikin' boots?

Yeah, we'll wear them while we're doin' it, doin' it.

I like the rhythm, it is my method.

Ruby: Oh... Um... I just can't stop thinking...

Sapphire: So... Um... Did you say I was different?

Ruby: And you hadn't before?

Sapphire: Of course not! When would I have ever?

Ruby: I'm so sorry!

Sapphire: No no, don't be!