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In Greek mythology, the Golden Fleece (Greek: پشم زرین χρυσόμαλλον δέρας chrysómallon déras) is the fleece of the gold-haired[a] winged ram, which was held in Colchis.[1] The fleece is a symbol of authority and kingship.
It figures in the tale of the hero Jason and his crew of Argonauts, who set out on a quest for the fleece by order of King Pelias, in order to place Jason rightfully on the throne of Iolcus in Thessaly. پشم زرین Through the help of Medea, they acquire the Golden Fleece. The story is of great antiquity and was current in the time of Homer (eighth century BCE). It survives in various forms, among which the details vary.
Plot
Athamas the Minyan, a founder of Halos in Thessaly[2] but also king of the city of Orchomenus in Boeotia (a region of southeastern Greece), took the goddess Nephele as his first wife. They had two children, the boy Phrixus (whose name means "curly"—as in ram's fleece) and the girl Helle. Later Athamas became enamored of and married Ino, the daughter of Cadmus. When Nephele left in anger, drought came upon the land.
Ino was jealous of her stepchildren and plotted their deaths: in some versions, she persuaded Athamas that sacrificing Phrixus was the only way to end the drought. Nephele, or her spirit, appeared to the children with a winged ram whose fleece was of gold.[b] The ram had been sired by Poseidon in his primitive ram-form upon Theophane, a nymph[c] and the granddaughter of Helios, the sun-god. According to Hyginus,[4] Poseidon carried Theophane to an island where he made her into a ewe, so that he could have his way with her among the flocks. There Theophane's other suitors could not distinguish the ram-god and his consort.[5]
Nepheles' children escaped on the yellow ram over the sea, but Helle fell off and drowned in the strait now named after her, the Hellespont. The ram spoke to Phrixus, encouraging him,[d] and took the boy safely to Colchis (modern-day Georgia), on the easternmost shore of the Euxine (Black) Sea.
There Phrixus sacrificed the winged ram to Poseidon, essentially returning him to the god.[e] The ram became the constellation Aries.
Phrixus settled in the house of Aeetes, son of Helios the sun god. He hung the Golden Fleece preserved from the sacrifice of the ram on an oak in a grove sacred to Ares, the god of war and one of the Twelve Olympians. The golden fleece was defended by bulls with hoofs of brass and breath of fire. It was also guarded by a never sleeping dragon with teeth which could become soldiers when planted in the ground. The dragon was at the foot of the tree on which the fleece was placed.[1]
Evolution of plot
Pindar employed the quest for the Golden Fleece in his Fourth Pythian Ode (written in 462 BCE), though the fleece is not in the foreground. When Aeetes challenges Jason to yoke the fire-breathing bulls, the fleece is the prize: "Let the King do this, the captain of the ship! Let him do this, I say, and have for his own the immortal coverlet, the fleece, glowing with matted skeins of gold".[7]
In later versions of the story, the ram is said to have been the offspring of the sea god Poseidon and Themisto (less often, Nephele or Theophane). The classic telling is the Argonautica of Apollonius of Rhodes, composed in mid-third century BCE Alexandria, recasting early sources that have not survived. Another, much less-known Argonautica, using the same body of myth, was composed in Latin by Valerius Flaccus during the time of Vespasian.
Where the written sources fail, through accidents of history, sometimes the continuity of a mythic tradition can be found among the vase-painters. The story of the Golden Fleece appeared to have little resonance for Athenians of the Classic age, for only two representations of it on Attic-painted wares of the fifth century have been identified: a krater at the Metropolitan Museum of Art and a kylix in the Vatican collections.[f][g][8] In the kylix painted by Douris, ca 480-470, Jason is being disgorged from the mouth of the dragon, a detail that does not fit easily into the literary sources; behind the dragon, the fleece hangs from an apple tree. Jason's helper in the Athenian vase-paintings is not Medea— who had a history in Athens as the opponent of Theseus— but Athena.
Interpretations
The very early origin of the myth in preliterate times means that during the more than a millennium when it was to some degree part of the fabric of culture, its perceived significance likely passed through numerous developments.
Several euhemeristic attempts to interpret the Golden Fleece "realistically" as reflecting some physical cultural object or alleged historical practice have been made. For example, in the 20th century, some scholars suggested that the story of the Golden Fleece signified the bringing of sheep husbandry to Greece from the east;[h] in other readings, scholars theorized it referred to golden grain,[i] or to the sun.[j]
A more widespread interpretation relates the myth of the fleece to a method of washing gold from streams, which was well attested (but only from c. 5th century BC) in the region of Georgia to the east of the Black Sea. Sheep fleeces, sometimes stretched over a wood frame, would be submerged in the stream, and gold flecks borne down from upstream placer deposits would collect in them. The fleeces would be hung in trees to dry before the gold was shaken or combed out. Alternatively, the fleeces would be used on washing tables in alluvial mining of gold or on washing tables at deep gold mines.[k] Judging by the very early gold objects from a range of cultures, washing for gold is a very old human activity.
Strabo describes the way in which gold could be washed:
"It is said that in their country gold is carried down by the mountain torrents, and that the barbarians obtain it by means of perforated troughs and fleecy skins, and that this is the origin of the myth of the golden fleece—unless they call them Iberians, by the same name as the western Iberians, from the gold mines in both countries."
Another interpretation is based on the references in some versions to purple or purple-dyed cloth. The purple dye extracted from the purple dye murex snail and related species was highly prized in ancient times. Clothing made of cloth dyed with Tyrian purple was a mark of great wealth and high station (hence the phrase "royal purple"). The association of gold with purple is natural and occurs frequently in literature.[l]
Main theories
Jason attempts to put the serpent guarding the golden fleece to sleep. The snake is coiled around a column at the base of which is a ram and on top of which is a bird.
The following are the chief among the various interpretations of the fleece, with notes on sources and major critical discussions:
See also
- List of mythological objects
- Absyrtus
- Gold mining
- Order of the Golden Fleece
- The Sea of Monsters
Notes
References
Bibliography
ul{list-style-type:none;margin-left:0}.mw-parser-output .refbegin-hanging-indents>ul>li,.mw-parser-output .refbegin-hanging-indents>dl>dd{margin-left:0;padding-left:3.2em;text-indent:-3.2em;list-style:none}.mw-parser-output .refbegin-100{font-size:100%}]]>- Bacon, Janet Ruth (1925). The Voyage of the Argonauts. London: Methuen.
- Barber, Elizabeth J. W. (1991). Prehistoric Textiles: the Development of Cloth in the Neolithic and Bronze Ages with Special Reference to the Aegean. Princeton, NJ: Princeton University Press. ISBN 978-0-691-00224-8.
- Braund, David (1994). Georgia in Antiquity: A History of Colchis and Transcaucasian Iberia, 550 BC–AD 562. Oxford: Oxford University Press. ISBN 978-0-19-814473-1.
- Lordkipanidze, Otar (2001). "The Golden Fleece: myth, euhemeristic explanation and archaeology". Oxford Journal of Archaeology. 20 (1): 1–38. doi:10.1111/1468-0092.00121.
- McKinley, Daniel (1999). Pinna and her Silken Beard: a Foray into Historical Misappropriations. Ars Textrina. 29. Charles Babbage Research Centre.
External links
- Media related to Golden Fleece at Wikimedia Commons
- The Project Gutenberg text of The Golden Fleece and the Heroes Who Lived Before Achilles
[پشم زرین]
نویسنده و منبع | تاریخ انتشار: Tue, 20 Nov 2018 02:16:00 +0000